Chocolates of Ecuador -- Arriba, Nacional, CCN51
Posted in: Opinion
Sam:
As always, I am struck by the care and thought you've put into your reply.
The story goes (and you are basically right), that traders coming into the port of Guayaquil looking for the famed Ecuadorian "pepe de oro" (golden seed) were told to go "arriba" up the Guayas river to find the beans they were looking for. Today we know these areas as Los Rios, Manabi, Quevedo.
It is also important to note that the bean variety has always been called Nacional. Arriba is the name given to the unique flavor, which is not a genetic characteristic as Sam has noted because rootstock transplanted in other countries does not give rise to beans with the same flavor. So there is something about the terroir - in conjunction with that specific genetics - that results in the flavor. The Nacional flavor is likened to orange blossom with jasmine mixed in. Personally, I think the best example of this flavor I have ever tasted is the first harvest and production of Felchlin's Cru Sauvage.
I also have to agree with Sam about CCN51's undeserved reputation for poor quality. I think the photo she links to was taken on the same trip in 2005 that I was on. In this case, the pods were culled early in the week before being transported to the collection center and there was a national holiday over the weekend and a soccer match against arch-rivals Peru on Monday or somesuch so the beans had been fermenting in bags for at least five days before they were picked over to remove placenta. Unfortunately, the people doing the cleaning were not tasked with removing the rotting beans.
BTW: CCN stands for Collecion Castro Naranjal. Carlos Castro was famous cacao breeder in Ecuador, and the particular hybrid - of a trinitario with the the Nacional - was number 51. It was championed by the Crespo family and it was on their farm outside Guayaquil where we saw beans like this.
Ecuador is famous (or infamous) for its lackadaisical approach to fermentation, probably because of the convoluted market system that evolved out of the destruction of the Hacienda system of the late 1800s, brought about by agrarian land reform. The farmers aren't paid to care (for the most part) so they don't.
While in Ecuador in 2005 we visited a cocoa processor (Tulicorp) where we participated in a chocolate liquor tasting. One of the revelations of the tasting was that one of the best-tasting liquors came from CCN51 beans - that had been properly fermented. Fermented properly, it's possible to make some very decent chocolate using CCN51 beans. Certainly as good as anything made with Amelonado forastero from Western Africa.
Here are the answers to Norman's top 10.
" ... trans fatty acids can be "formed by the high temperatures of frying, so you may be making them yourself." High heat can cause the formation of minuscule amounts of trans fatty acids over extended lengths of time. But temperatures for traditional frying (300 to 350 degrees) and relatively short cooking times (5 to 10 minutes) would have a negligible effect on the formation of trans fat in cooking oil.If as the article states, ""Trans fatty acids don't occur naturally, except for small amounts in a few plants such as pomegranates, cabbage and peas ..." we can assume that there are no trans fats in cocoa butter - and an increase of 1% of zero is zero.
"... a recent [nb: the article was published in 2003] study conducted to determine the levels of trans fat isomers formed by heat found that in canola oil heated to 500 degrees for 30 minutes, trans fat levels were increased by only 1 percent. Traditional frying at lower temperatures for shorter lengths of time would produce significantly fewer trans fats."
Chocovore - Scores will also vary widely based on the variety. For example, one of the reasons criollos are pale is that they have lower concentrations of polyphenols. So they will have lower ORAC scores right out of the pod. To really generalize: The darker the bean, the higher the concentration of polyphenols, and the higher the ORAC score. But not always.
In the article you reference on agave nectar, you start out talking about maple sugar and mention that you use "Criollo Aromica Ecuadorian" beans to make your chocolate. I have never heard of this kind of bean. Can you let us know more?
Also, could you please explain for everyone what "600 umoleTE/g" means, not just spell out the technical terms.
ORAC stands for Oxygen Radical Absorption Capacity but people may not know what that means.
Thanks,
:: Clay
Judging for the 2008 Next Generation Chocolatier competition happened last week, on Wednesday October 8th to be exact. The six judges (Kee Ling Tong and Fritz Knipschildt - chocolatiers; Rose Potts (Blommer) and Laura Tornichio-Vidal (Guittard) - chocolate makers; Steven Millard (Dean & Deluca) and Linda Sturges (Bloomingdales) - retail) gathered in New York City to judge the entries. In all, 25 bonbons and 7 bars entered into the judging.
The scoring system developed by me consisted of two major sections: Technical and Taste/Mouthfeel. Within each section, the judges awarded a set of scores to each piece. All 32 pieces were tasted in a firstround and the order the pieces were tasted in was random. During the first round, each judge had background sheets that listed only the name of each piece plus a marketing description and an explanation of what salt was used and why. During the first round the judges were able to ask me questions but were discouraged from talking among themselves.
Once the first round was over, the judges were asked to review their scores and cast their votes - each judge was asked to choose their top 3 bonbon recommendations and their top 2 bar recommendations PLUS indicate a choice for Rising Star. During this process they were able to discuss among themselves the pieces, re-taste, etc. Once the scoring was completed I tabulated both the raw scores as well as the recommendations using a spreadsheet. The votes were preferentially counted and the raw scores were there in case there was a need to break a tie.
Finally, as Head Judge, I was not involved in the actual judging and did not cast votes. Furthermore I refrained from making comments and remarks that might influence the judges until after the scoring sheets were collected. My role was to be there to answer questions and interpret the rules as well as keep the judging on track and onschedule. Technical considerations for the judges included visual appeal, temper, etc., parameters that spoke to the work skills and habits of the chocolatiers whose work was being judged. The Taste part of Taste/Mouthfeel had two major components; a) how well the flavors of the piece worked together, and b) how well the flavors reflected the theme. Mouthfeel covered the "bite" of the piece as well as the texture of the center and how the piece melted/chewed.
There were several things about the entries, taken as a whole, that impressed the judges. One that I was really surprised by is that there was no duplication of molds for the shell-molded pieces. I know that there are hundreds of polycarbonate molds that are commonly used - and we saw many of them - but no two molds used were alike. Another aspect of the entries that impressed the judges was the willingness of many of the chocolatiers to take flavor risks. When the organizer of the competition, Curtis Vreeland, and I first discussed the theme flavor several months ago we were worried that we might get only caramels with fleur de sel. While we did get several of these - and they were well received by the judges - pieces that really explored the competition's theme of SaltySweets received slightly higher marks and ended up being selected as finalists.
Finally, we were impressed by the number of entries in the initial application pool that qualified for the Rising Star award. In past years, the ratio of established chocolatiers to new chocolatiers was the reverse of this year. This fact gives me great hope for the future of artisan chocolatiers in this country.
Overall, the technical execution of the pieces was very high. We saw elaborate and beautiful surface decorations on the insides of molds and exquisite transfers as well as several different ways - often unusual - of incorporating salt into the pieces, including several that focused delivering the texture of the salt not just the flavor. Furthermore there were a number of multi-layer pieces - and not just ganache/pate-de-fruit pairings - that provided not only unusual texture combinations but also new and wonderful taste sensations.
In the end, the judges made their decisions and it was not obvious to me from a quick glance at the scores who the winners would be.
From the 20 chocolatiers invited to submit entries for judging, the SIX finalists are (in alphabetical order by the name of the piece):
OB -
Best answer for this question is "brand inflation." Of all the chocolate makers, Valrhona has done the best job of positioning itself as "the" premium brand for confectionery and pastry.
And you pay for that.
Is it the best? Matter of personal taste. But you pay for it, nonetheless.